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巨臀 波多黎各 女神

　　2025国际产教研交融发展对接会在济南举办，在平行行动“黄河与尼罗河的细致对话”影相展现场，黄河浪花与尼罗河波纹正在这里完成一场向上时空的捏手。这两条柔润了东方与非洲的母亲河，天然相隔万里从未交织，但今天，来自中非影相师的镜头魔法让她们在光影中跳起了双东谈主舞。

　　双河交响：细致互鉴的视觉诗篇

　　在国际影相艺术长入会济南展览中心（山东工艺好意思术学院校区内）举办的《黄河与尼罗河的细致对话：多元全国·融通发展--中非地面影相艺术作品展》以黄河与尼罗河这两条分袂代表中国和非洲的母亲河为配景，通过多维度、多视角的影相作品，展现了中国与非洲地面上这两条河流干系地区的历史文化、地舆风貌和习尚风情。在展览现场，中国影相师镜头下的尼罗河晨光与非洲影相家取景框里的黄河落日交相照映。策展东谈主曾毅指着展墙上并置的组图先容谈，不同的文化基因生长出私有的视觉念念维，这种“第三视角”的创作形势能产生奇妙的化学响应。

　　黄河是中国的母亲河，是中汉细致的早先地和中华英才的摇篮，从早先地自西向东流经九个省区；尼罗河是埃及的母亲河，是全国上最长的河流，从非洲南部向北流经九个国度。通过镜头定格黄河与尼罗河的细致对话，以影像艺术架设中非友谊之桥，向全国论说确凿、立体、全面的中国故事，这恰是策展东谈主曾毅训诲匠心独运的策展初志。

　　镜头解码：文化基因的显影剂

　　“这张埃及儿童向中国影相师挥手的作品，是文化各异与东谈主性共识的绝佳注脚。”曾毅展示其作品《后排座》时回忆谈，那时我正大乘坐一辆中巴在车流中穿行，发现前线轿车车厢内坐着三个孩童，在与中国影相师眼神相见的一瞬，孩子们不仅莫得规避镜头，反而以埃及东谈主特有的温雅予以回话，洞开了向阳般灿烂的笑颜，车窗外流动的贩子画卷似乎也被点亮，于是他马上按下快门定格住这一鲜嫩的场景。

　　展览中一幅名为《渴慕》的非洲儿童特写也激励平庸共识。画面中男孩正手捏铅笔，适当地写字，渴慕学问、渴慕学习的眼神与影相家解海龙所拍摄的《大眼睛》酿成向上时空的呼应。“教诲是能改革运谈的，也能改革一个国度。”曾毅示意，但愿能有更多的契机冒失为非洲东谈主民生计的改善、教诲的发展尽到浅近之力。

　　产教交融：构建影像教诲更生态

　　国际产教研交融发展是新期间的潮水，亦然巨匠发展的特征与趋势。四肢长入学术与产业的纽带，“黄河与尼罗河细致对话”影相展展现了影像艺术在产教研交融中的私有价值。策展东谈主曾毅是山东工艺好意思术学院资深训诲、好意思术馆馆长，据他所说，山东工艺好意思术学院通过济南国际影相双年展这一陆续近20年的推行平台，探索出了一条切实可行的教诲改进旅途。“好意思术馆四肢学校的一个第二课堂，让更多的学生冒失有契机在校园内搏斗到更多的影相师和影相师的作品；双年展为学校、为教授搭建了一个蹙迫平台，让更多的学生参与进来。”

　　2024年10月，国际影相艺术长入会中国（济南）事业处在济南揭牌栽培，这是国际影相艺术长入会在巨匠成立的惟逐个个事业处，为促进中国影相与国际接轨，激动中国影相走向全国，加强中国影相的国际交流与相连发达积极作用。四肢长入国教科文组织下属的巨擘机构，FIAP中国事业处自栽培以来，恒久探索民间影像酬酢的新旅途，这种“以镜为媒“的民间交流也正在酿成限制效应。曾毅训诲示意七天探花 白虎，海外的影相师到中国拍摄，或者中国的影相师到海外去举办展览进行交流行动齐是一种相互调换和传播的形势，影相师们实地感受后创作的作品在其母国媒体或社交收集良性传播，这种“他者视角”时常能冲突固有领路框架。

　　黄河与尼罗河的细致对话以镜头为纽带，搭建起一座向上地舆与文化的中非民气重迭之桥。在构建东谈主类运谈共同体的征途中，这种以影像为载体的细致互鉴，正书写着跨文化传播的簇新范本。

　　On March 20th， the 2025 International Forum on Industry–Education–Research Integrated Development was held in Jinan. At the parallel event，the stunning “Civilization Dialogue Between the Yellow River and the Nile“ photography exhibition， the ripples of China's Yellow River are dancing with the waves of Africa's Nile through these captivating images. Although these two mother rivers have never met physically， today they're waltzing across time and space through the lens magic of Chinese and African photographers.

　　Symphony of Two Rivers: A Visual Ode to Cultural Exchange

　　At the Jinan Exhibition Center of the Fédération Internationale de l'Art Photographique (located within the Shandong University of Art & Design)， the exhibition “CivilizationDialogue between The Yellow River andthe Nile - Exhibition of Photography Art Works of China and Africa“ showcases the rich histories， landscapes， and cultures along these two iconic rivers. Through a diverse array of photographs， the exhibition captures the essence of the regions influenced by the China’s Yellow River and the Africa’s Nile. On display， the morning light on the Nile as seen through Chinese lenses contrasts beautifully with the sunset over the Yellow River captured by African photographers. Curator Zeng Yi highlights the unique visual perspectives born from distinct cultural backgrounds， creating a fascinating chemical reaction through this “third perspective“ approach.

　　The Yellow River， China's cradle of civilization， flows eastward through nine provinces and regions， while the Nile， Egypt's lifeline and the world's longest river， runs north through nine African countries. This exhibition， through the lens of photography， not only captures the dialogue between these two civilizations but also builds a bridge of friendship between China and Africa， narrating a comprehensive and authentic Chinese story to the world. This vision is the heart of Professor Zeng Yi's curatorial masterpiece.

　　Lens Decoded: The Developer of Cultural Genes

　　“This photo of Egyptian children waving at a Chinese photographer perfectly captures the blend of cultural differences and human connection，“ Zeng Yi reminisced while presenting his work “Backseat“. He recalled navigating through traffic in a minibus when he noticed three children in a car ahead. Upon meeting the photographer's gaze， instead of shying away， the children responded with the characteristic warmth of Egyptians， their smiles as radiant as the morning sun， illuminating the bustling street scene outside. Zeng quickly captured this vibrant moment.

　　Another impactful piece in the exhibition， titled “Aspiration，“ features a close-up of an African child intently writing with a pencil. The boy's eager eyes， filled with a thirst for knowledge and learning， echo the famous “Big Eyes“ photograph by Xie Hailong， bridging time and space. “Education can change destinies and transform a nation，“ Zeng expressed， hoping for more opportunities to contribute to the improvement of life and education in Africa.

　　Integration of Industry and Education: Building a New Ecosystem for Visual Arts Education

　　The fusion of international industry， education， and research is a defining trend of the new era. As a bridge between academia and industry， the “Dialogue of Civilizations: The Yellow River Meets the Nile“ photography exhibition highlights the unique role of visual arts in this integration. Curator Zeng Yi， a senior professor and art museum director at Shandong University of Art & Design， explains that the university has pioneered an innovative educational path through the Jinan International Photography Biennale， a platform nurtured over nearly two decades. “The art museum serves as a second classroom， allowing students to engage with photographers and their works on campus. The Biennale provides a vital platform for teaching and learning， encouraging active student participation.“

　　In October 2024， Fédération Internationale de l'Art Photographique (FIAP) established its China (Jinan) Office， the only such global branch， to promote Chinese photography on the international stage and foster cross-cultural exchanges. As an authoritative body under UNESCO， the FIAP China Office has been exploring new avenues for grassroots visual diplomacy， creating a ripple effect through lens-mediated exchanges. Professor Zeng Yi notes， “Whether foreign photographers capturing China or Chinese photographers exhibiting abroad， these interactions foster mutual understanding. Works created from firsthand experiences， shared through media and social networks， often challenge preconceived notions through the 'outsider's perspective.'“

　　The dialogue between the Yellow River and the Nile， connected through the lens， builds a bridge of mutual understanding across geography and culture. In the journey toward a shared human destiny， this visual exchange of civilizations is crafting a new paradigm for cross-cultural communication.

　　无尽责任室出品

　　案牍、出镜：杨晓

　　统筹：白雪飞 武玮佳